 |
ISBN
| 9780203097212 | |
DDC
| 384.83 | |
Tác giả CN
| Khorana, Sukhmani | |
Nhan đề
| Crossover cinema. Routledge advances in film studies : cross-cultural film from production to reception / edited by Sukhmani Khorana. | |
Thông tin xuất bản
| New York : Routledge, 2013 | |
Mô tả vật lý
| 172 pages. : illustrations ; 24 cm. | |
Tóm tắt
| Cinematic products in the twenty-first century increasingly emerge from, engage with, and are consumed in cross-cultural settings. While there have been a number of terms used to describe cinematic forms that do not bear allegiance to a single nation in terms of conceptualization, content, finance and/or viewership, this volume contends that "crossover cinema" is the most apt contemporary description for those | |
Thuật ngữ chủ đề
| Motion pictures | |
Thuật ngữ chủ đề
| Motion pictures-Production and direction | |
Thuật ngữ chủ đề
| Motion picture industry-Economic aspects | |
Thuật ngữ chủ đề
| Motion pictures-Distribution | |
Địa chỉ
| Thư Viện Đại học Nguyễn Tất Thành |
| |
000
| 00000nam#a2200000u##4500 |
|---|
| 001 | 36585 |
|---|
| 002 | 2 |
|---|
| 004 | 72CB762C-67CA-433B-B992-26816BD7AAE6 |
|---|
| 005 | 202205121613 |
|---|
| 008 | 220506s2013 nyu eng |
|---|
| 009 | 1 0 |
|---|
| 020 | |a9780203097212|c000 |
|---|
| 039 | |a20220512161305|btainguyendientu|c20220506145932|dnghiepvu|y20220506144131|znghiepvu |
|---|
| 040 | |aNTT |
|---|
| 041 | |aeng |
|---|
| 044 | |anyu |
|---|
| 082 | |a384.83|bK457|223 |
|---|
| 100 | |aKhorana, Sukhmani |
|---|
| 245 | |aCrossover cinema. |pRoutledge advances in film studies : |bcross-cultural film from production to reception / |cedited by Sukhmani Khorana. |
|---|
| 260 | |aNew York : |bRoutledge, |c2013 |
|---|
| 300 | |a172 pages. : |billustrations ; |c24 cm. |
|---|
| 520 | |aCinematic products in the twenty-first century increasingly emerge from, engage with, and are consumed in cross-cultural settings. While there have been a number of terms used to describe cinematic forms that do not bear allegiance to a single nation in terms of conceptualization, content, finance and/or viewership, this volume contends that "crossover cinema" is the most apt contemporary description for those |
|---|
| 541 | |aMua |
|---|
| 650 | |aMotion pictures |
|---|
| 650 | |aMotion pictures|xProduction and direction |
|---|
| 650 | |aMotion picture industry|xEconomic aspects |
|---|
| 650 | |aMotion pictures|xDistribution |
|---|
| 852 | |aThư Viện Đại học Nguyễn Tất Thành |
|---|
| 856 | 1|uhttp://elib.ntt.edu.vn/documentdata01/2 tailieuthamkhao/300 khoahocxahoi/anhbiasach/36585-crossover cinema cross-cultural film from production to reception_001thumbimage.jpg |
|---|
| 890 | |a0|b0|c1|d0 |
|---|
| |
Không tìm thấy biểu ghi nào
|
|
|
|