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    Nhan đề: American films of the 70s : conflicting visions / Peter Lev
ISBN 0292747160
DDC 791.438758097309047
Tác giả CN Lev, Peter
Nhan đề American films of the 70s : conflicting visions / Peter Lev
Lần xuất bản 1st ed
Thông tin xuất bản USA : University of Chicago Press Chicago Distribution Center, June 15, 2000
Mô tả vật lý 261tr. ; cm.
Tóm tắt While the anti-establishment rebels of 1969’s Easy Rider were morphing into the nostalgic yuppies of 1983’s The Big Chill, Seventies movies brought us everything from killer sharks, blaxploitation, and teen comedies to haunting views of a divided America at war. Indeed, as Peter Lev persuasively argues in this book, the films of the 1970s constitute a kind of conversation about what American society is and should be―open, diverse, and egalitarian, or stubbornly resistant to change. Examining forty films thematically, Lev explores the conflicting visions presented within ten different film genres or subjects:o Hippies (Easy Rider, Alice’s Restaurant)o Cops (The French Connection, Dirty Harry)o Disasters and Conspiracies (Jaws, Chinatown)o End of the Sixties (Nashville, The Big Chill)o Art, Sex, and Hollywood (Last Tango in Paris)o Teens (American Graffiti, Animal House)o War (Patton, Apocalypse Now)o African-Americans (Shaft, Superfly)o Feminisms (An Unmarried Woman, The China Syndrome)o Future Visions (Star Wars, Blade Runner)As accessible to ordinary moviegoers as to film scholars, Lev’s book is an essential companion to these familiar, well-loved movies. Read less
Thuật ngữ chủ đề American films of the seventies
Thuật ngữ chủ đề Motion pictures—United States—History
Địa chỉ Thư Viện Đại học Nguyễn Tất Thành
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245 |aAmerican films of the 70s : conflicting visions / Peter Lev
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260 |aUSA : |bUniversity of Chicago Press Chicago Distribution Center, |cJune 15, 2000
300 |a261tr. ; |ccm.
520 |aWhile the anti-establishment rebels of 1969’s Easy Rider were morphing into the nostalgic yuppies of 1983’s The Big Chill, Seventies movies brought us everything from killer sharks, blaxploitation, and teen comedies to haunting views of a divided America at war. Indeed, as Peter Lev persuasively argues in this book, the films of the 1970s constitute a kind of conversation about what American society is and should be―open, diverse, and egalitarian, or stubbornly resistant to change. Examining forty films thematically, Lev explores the conflicting visions presented within ten different film genres or subjects:o Hippies (Easy Rider, Alice’s Restaurant)o Cops (The French Connection, Dirty Harry)o Disasters and Conspiracies (Jaws, Chinatown)o End of the Sixties (Nashville, The Big Chill)o Art, Sex, and Hollywood (Last Tango in Paris)o Teens (American Graffiti, Animal House)o War (Patton, Apocalypse Now)o African-Americans (Shaft, Superfly)o Feminisms (An Unmarried Woman, The China Syndrome)o Future Visions (Star Wars, Blade Runner)As accessible to ordinary moviegoers as to film scholars, Lev’s book is an essential companion to these familiar, well-loved movies. Read less
650 |aAmerican films of the seventies
650 |aMotion pictures—United States—History
852 |aThư Viện Đại học Nguyễn Tất Thành
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