 |
ISBN
| 9780198768913 | |
DDC
| 791.4301 | |
Tác giả CN
| Hanaway, Cleo | |
Nhan đề
| James Joyce and the phenomenology of film / Cleo Hanaway | |
Lần xuất bản
| 1st ed. | |
Thông tin xuất bản
| Oxford : Oxford University Press,2017. | |
Mô tả vật lý
| 1 online resource vi, 146 pages. :illustrations ; 23cm. | |
Tóm tắt
| James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers, and phenomenologists (Maurice Merleau-Ponty, in particular) share a common enterprise: all are concerned with showing, rather than explaining, the 'inherence of the self in the world'. Instead of portraying an objective, neutral world, bereft of human input, Joyce, the film-makers, and the phenomenologists present embodied, conscious engagement with the environment and others: they are interested in the world-as-it-is-lived and transcend the seemingly-rigid binaries of seer/seen, subject/object, absorptive/theatrical, and personal/impersonal. This book re-evaluates the history of body- and spectator-focused film theories, placing Merleau-Ponty at the centre of the discussion, and considers the ways in which Joyce may have encountered such theories. | |
Thuật ngữ chủ đề
| Motion pictures | |
Thuật ngữ chủ đề
| Influence (Literary, artistic, etc.) | |
Thuật ngữ chủ đề
| Joyce, James, 1882-1941 | |
Thuật ngữ chủ đề
| Motion pictures and literature | |
Địa chỉ
| Thư Viện Đại học Nguyễn Tất Thành |
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| 245 | |aJames Joyce and the phenomenology of film / |cCleo Hanaway |
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|---|
| 300 | |a1 online resource vi, 146 pages. :|billustrations ; |c23cm. |
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| 520 | |aJames Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers, and phenomenologists (Maurice Merleau-Ponty, in particular) share a common enterprise: all are concerned with showing, rather than explaining, the 'inherence of the self in the world'. Instead of portraying an objective, neutral world, bereft of human input, Joyce, the film-makers, and the phenomenologists present embodied, conscious engagement with the environment and others: they are interested in the world-as-it-is-lived and transcend the seemingly-rigid binaries of seer/seen, subject/object, absorptive/theatrical, and personal/impersonal. This book re-evaluates the history of body- and spectator-focused film theories, placing Merleau-Ponty at the centre of the discussion, and considers the ways in which Joyce may have encountered such theories. |
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