TRA CỨU
thông tin biểu ghi
ISBN 9780691172279
DDC 190
Tác giả CN Berger, Susanna
Nhan đề The art of philosophy : visual thinking in Europe from the late Renaissance to the early Enlightenment / Susanna Berger
Thông tin xuất bản Princeton : Princeton University Press,2017.
Mô tả vật lý xiv, 317 pages. : illustrations (some color), 2 folded leaves, maps (chiefly color); 29 cm.
Tóm tắt Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history. Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Leonard Gaultier, Abraham Bosse, Durer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy.
Thuật ngữ chủ đề Aesthetics, Modern
Thuật ngữ chủ đề Art and philosophy
Thuật ngữ chủ đề Art, Modern
Thuật ngữ chủ đề Visual communication in art
Thuật ngữ chủ đề Art, Renaissance
Địa chỉ Thư Viện Đại học Nguyễn Tất Thành
000 00000nam#a2200000u##4500
00136480
0022
004C06C6C34-1F4B-4465-8105-F059F507CE4C
005202205100821
008220428s2017 nyu eng
0091 0
020 |a9780691172279|c000
039|a20220510082104|btainguyendientu|c20220428085402|dtainguyendientu|y20220428085305|ztainguyendientu
040 |aNTT
041 |aeng
044 |anyu
082 |a190|bS9641|223
100 |aBerger, Susanna|d1984-
245 |aThe art of philosophy :|b visual thinking in Europe from the late Renaissance to the early Enlightenment / |cSusanna Berger
260 |aPrinceton : |bPrinceton University Press,|c2017.
300 |axiv, 317 pages. : |b illustrations (some color), 2 folded leaves, maps (chiefly color);|c 29 cm.
520 |aDelving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history. Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Leonard Gaultier, Abraham Bosse, Durer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy.
541 |aMua
650 |aAesthetics, Modern
650 |aArt and philosophy
650 |aArt, Modern
650 |aVisual communication in art
650|aArt, Renaissance
852 |aThư Viện Đại học Nguyễn Tất Thành
8561|uhttp://elib.ntt.edu.vn/documentdata01/2 tailieuthamkhao/100 triethocvatamlyhoc/anhbiasach/36480_theartofphilosophy_001thumbimage.jpg
890|a0|b0|c1|d1
Không tìm thấy biểu ghi nào