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    Nhan đề: Andrei Tarkovsky: elements of cinema / Robert Bird
ISBN 9781861893420
DDC 791.430233092
Tác giả CN Bird, Robert
Nhan đề Andrei Tarkovsky: elements of cinema / Robert Bird
Thông tin xuất bản Reektion Books, June 16, 2011
Mô tả vật lý 129tr. ; cm.
Tóm tắt The films of Andrei Tarkovsky have been revered as ranking on a par with the masterpieces of Russia's novelists and composers. His work, from films such as Ivan's "Childhood", "Andrei Rublev", "Solaris", "Mirror", "Nostalgia and Sacrifice", has had an enormous influence on the style of contemporary European film, with its open narrative structures and slow, pensive mood; yet Tarkovsky has remained an elusive subject for reflection and analysis. This book is a comprehensive, well-illustrated and much-needed account of Tarkovsky's entire film output. Robert Bird's analysis is centred around a detailed account of Tarkovsky's technique, which provides the best interpretive guide to both the director's films and his theoretical speculations. Integrating his idiosyncratic ideas with his films' irresistible sensuality, Bird highlights Tarkovsky's fascination with the elusive correlation between cinematic representation and the more primeval perception of the world. The book examines Tarkovsky's films elementally, grouping them into four sections: Water, Fire, Earth, and Air. It also discusses Tarkovsky's works for the radio, theatre and opera, and how he was in addition an accomplished actor, screenwriter, film theorist and diarist. The author's claim, however, is that Tarkovsky was a filmmaker before all else, and this book examines what Tarkovsky's cinema reveals about the medium in which he worked. A thorough yet accessible study, with a wealth of images including stills from films as well as the director and crew on set, this book will be of interest to all fans of Tarkovsky, students of film studies, and readers interested in European and Russian cinema.
Thuật ngữ chủ đề Motion picture producers and directors-Soviet Union-Biography
Thuật ngữ chủ đề Tarkovskii, Andrei Arsenevich, 1932-1986-Criticism and interpretation
Địa chỉ Thư Viện Đại học Nguyễn Tất Thành
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100 |aBird, Robert
245 |aAndrei Tarkovsky: elements of cinema / Robert Bird
260 |bReektion Books, |cJune 16, 2011
300 |a129tr. ; |ccm.
520 |aThe films of Andrei Tarkovsky have been revered as ranking on a par with the masterpieces of Russia's novelists and composers. His work, from films such as Ivan's "Childhood", "Andrei Rublev", "Solaris", "Mirror", "Nostalgia and Sacrifice", has had an enormous influence on the style of contemporary European film, with its open narrative structures and slow, pensive mood; yet Tarkovsky has remained an elusive subject for reflection and analysis. This book is a comprehensive, well-illustrated and much-needed account of Tarkovsky's entire film output. Robert Bird's analysis is centred around a detailed account of Tarkovsky's technique, which provides the best interpretive guide to both the director's films and his theoretical speculations. Integrating his idiosyncratic ideas with his films' irresistible sensuality, Bird highlights Tarkovsky's fascination with the elusive correlation between cinematic representation and the more primeval perception of the world. The book examines Tarkovsky's films elementally, grouping them into four sections: Water, Fire, Earth, and Air. It also discusses Tarkovsky's works for the radio, theatre and opera, and how he was in addition an accomplished actor, screenwriter, film theorist and diarist. The author's claim, however, is that Tarkovsky was a filmmaker before all else, and this book examines what Tarkovsky's cinema reveals about the medium in which he worked. A thorough yet accessible study, with a wealth of images including stills from films as well as the director and crew on set, this book will be of interest to all fans of Tarkovsky, students of film studies, and readers interested in European and Russian cinema.
650 |aMotion picture producers and directors-Soviet Union-Biography
650 |aTarkovskii, Andrei Arsenevich, 1932-1986-Criticism and interpretation
852 |aThư Viện Đại học Nguyễn Tất Thành
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