thông tin biểu ghi
  • Sách tham khảo
  • Ký hiệu PL/XG: 791.430954
    Nhan đề: Reframing Bollywood : Theories of popular Hindi cinema / Ajay Gehlawat

ISBN 978-81-321-0472-8
DDC 791.430954
Tác giả CN Gehlawat, Ajay
Nhan đề Reframing Bollywood : Theories of popular Hindi cinema / Ajay Gehlawat
Lần xuất bản 1st ed
Thông tin xuất bản New Delhi : Sage Publications Pvt. Ltd, 2010
Mô tả vật lý 191tr. ; cm.
Tóm tắt This book combines multiple theoretical approaches to provide a fresh perspective on Bollywood-just as a Bollywood film that transgresses multiple genres-and challenges the homogenizing tendencies in much of the ongoing scholarship in the area. It covers five areas of controversial theorization: the religious frame, the musical frame, the subaltern frame, the (hetero) sexual frame and the ′crossover′ frame. By deconstructing each of these hegemonic paradigms, it reshapes the understanding of a Bollywood film and restructures its relationships with multiple disciplines including film and theatre studies, postcolonial studies, South Asian studies, queer studies, and transnational studies
Thuật ngữ chủ đề Motion pictures—Social aspects—India
Thuật ngữ chủ đề Motion pictures—India
Địa chỉ Thư Viện Đại học Nguyễn Tất Thành
000 00000nam#a2200000ui#4500
00136420
0022
004AE187F31-9974-4150-8A4E-CFFD08DA54DB
005202204290907
008081223s2010 vm| vie
0091 0
020 |a978-81-321-0472-8
039|a20220429090732|btainguyendientu|y20220426110147|ztainguyendientu
040 |aNTT
041 |avie
044 |avm
082 |a791.430954|223
100 |aGehlawat, Ajay
245 |aReframing Bollywood : Theories of popular Hindi cinema / Ajay Gehlawat
250 |a1st ed
260 |aNew Delhi : |bSage Publications Pvt. Ltd, |c2010
300 |a191tr. ; |ccm.
520 |aThis book combines multiple theoretical approaches to provide a fresh perspective on Bollywood-just as a Bollywood film that transgresses multiple genres-and challenges the homogenizing tendencies in much of the ongoing scholarship in the area. It covers five areas of controversial theorization: the religious frame, the musical frame, the subaltern frame, the (hetero) sexual frame and the ′crossover′ frame. By deconstructing each of these hegemonic paradigms, it reshapes the understanding of a Bollywood film and restructures its relationships with multiple disciplines including film and theatre studies, postcolonial studies, South Asian studies, queer studies, and transnational studies
650 |aMotion pictures—Social aspects—India
650 |aMotion pictures—India
852 |aThư Viện Đại học Nguyễn Tất Thành
8561|uhttp://elib.ntt.edu.vn/documentdata01/2 tailieuthamkhao/700 nghethuatvagiaitri/anhbiasach/36420_reframingbollywoodtheoriesofpopularhindicinema_001thumbimage.jpg
890|a0|b0|c1|d0
Không tìm thấy biểu ghi nào