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    Nhan đề: Conjugations : marriage and form in new Bollywood cinema / Sangita Gopal.
ISBN 978-0-226-30426-7
DDC 791.430954
Tác giả CN Gopal, Sangita
Nhan đề Conjugations : marriage and form in new Bollywood cinema / Sangita Gopal.
Thông tin xuất bản Chicago : University of Chicago Press, 2011
Mô tả vật lý 260tr. ; cm.
Tóm tắt Bollywood movies have been long known for their colorful song-and-dance numbers and knack for combining drama, comedy, action-adventure, and music. But when India entered the global marketplace in the early 1990s, its film industry transformed radically. Production and distribution of films became regulated, advertising and marketing created a largely middle-class audience, and films began to fit into genres like science fiction and horror. In this bold study of what she names New Bollywood, Sangita Gopal contends that the key to understanding these changes is to analyze films’ evolving treatment of romantic relationships.
Thuật ngữ chủ đề Couples in motion pictures
Thuật ngữ chủ đề Married people in motion pictures
Thuật ngữ chủ đề Motion picture industry—India—Bombay
Thuật ngữ chủ đề Motion pictures—Social aspects—India
Địa chỉ Thư Viện Đại học Nguyễn Tất Thành
Tệp tin điện tử http://elib.ntt.edu.vn/documentdata01/2 tailieuthamkhao/700 nghethuatvagiaitri/790 giaitrivanghethuattrinhdien/791 bieudiencongcong/36303_conjugations/36303_conjugationsmarriageandforminnewbollywoodcinema_001.jpg
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100 |aGopal, Sangita
245 |aConjugations : marriage and form in new Bollywood cinema / Sangita Gopal.
260 |aChicago : |bUniversity of Chicago Press, |c2011
300 |a260tr. ; |ccm.
520 |aBollywood movies have been long known for their colorful song-and-dance numbers and knack for combining drama, comedy, action-adventure, and music. But when India entered the global marketplace in the early 1990s, its film industry transformed radically. Production and distribution of films became regulated, advertising and marketing created a largely middle-class audience, and films began to fit into genres like science fiction and horror. In this bold study of what she names New Bollywood, Sangita Gopal contends that the key to understanding these changes is to analyze films’ evolving treatment of romantic relationships.
650 |aCouples in motion pictures
650 |aMarried people in motion pictures
650 |aMotion picture industry—India—Bombay
650 |aMotion pictures—Social aspects—India
852 |aThư Viện Đại học Nguyễn Tất Thành
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