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ISBN
| 978-0-7864-7912-2 | |
DDC
| 791.43658 | |
Tác giả CN
| Edwards, Matthew | |
Nhan đề
| The atomic bomb in Japanese cinema : critical essays / Edwards, Matthew | |
Thông tin xuất bản
| North Carolina : McFarland & Company, 2015 | |
Mô tả vật lý
| 299tr. : minh họa ; cm. | |
Tóm tắt
| Seventy years after the nuclear attacks on Hiroshima and Nagasaki, Japan is still dealing with the effects of the bombings on the national psyche. From the Occupation Period to the present, Japanese cinema had offered a means of coming to terms with one of the most controversial events of the 20th century. From the monster movies Gojira (1954) and Mothra (1961) to experimental works like Go Shibata's NN-891102 (1999), atomic bomb imagery features in all genres of Japanese film. This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spottiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included. | |
Thuật ngữ chủ đề
| Atomic bomb victims in motion pictures | |
Thuật ngữ chủ đề
| Motion picture producers and directors—Interviews | |
Thuật ngữ chủ đề
| Motion pictures—Japan—History and criticism | |
Thuật ngữ chủ đề
| Nuclear warfare in motion pictures | |
Địa chỉ
| Thư Viện Đại học Nguyễn Tất Thành |
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| 520 | |aSeventy years after the nuclear attacks on Hiroshima and Nagasaki, Japan is still dealing with the effects of the bombings on the national psyche. From the Occupation Period to the present, Japanese cinema had offered a means of coming to terms with one of the most controversial events of the 20th century. From the monster movies Gojira (1954) and Mothra (1961) to experimental works like Go Shibata's NN-891102 (1999), atomic bomb imagery features in all genres of Japanese film. This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spottiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included. |
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| 650 | |aAtomic bomb victims in motion pictures |
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| 650 | |aMotion picture producers and directors—Interviews |
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| 650 | |aMotion pictures—Japan—History and criticism |
|---|
| 650 | |aNuclear warfare in motion pictures |
|---|
| 852 | |aThư Viện Đại học Nguyễn Tất Thành |
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