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ISBN
| 9780190660178 | |
DDC
| 791.430975 | |
Tác giả CN
| Jackson, Robert | |
Nhan đề
| Fade In, Crossroads / Jackson, Robert : A History of the Southern Cinema | |
Lần xuất bản
| 1st edition | |
Thông tin xuất bản
| New York : Oxford University Press, 2017 | |
Mô tả vật lý
| 342tr. ; cm. | |
Tóm tắt
| Fade In, Crossroads, Robert Jackson tells the story of the relationships between southerners and motion pictures from the silent era through the golden age of Hollywood. Jackson reveals the profound consequences of the coincidence of the rise and fall of the American film industry with the rise and fall of the South's most important modern product and export: Jim Crow segregation. He considers southern historical legacies on film, from popular Civil War films and comparably popular lynching films emerging in a time of prolific lynching in the South, to the resilient race film industry whose African American filmmakers forged an independent cinematic movement in defiance of the racial restrictions of both the South and Hollywood. He also traces the influence of film on future participants in the Civil Rights Movement, from prominent leaders such as Martin Luther King and Thurgood Marshall to film-industry veterans like Lena Horne and Paul Robeson to the millions of ordinary people, black and white, who found themselves caught up in the struggle for racial equality in the modern United States | |
Thuật ngữ chủ đề
| Race relations in motion pictures | |
Thuật ngữ chủ đề
| Southern States—In motion pictures | |
Địa chỉ
| Thư Viện Đại học Nguyễn Tất Thành |
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| 100 | |aJackson, Robert |
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| 245 | |aFade In, Crossroads / Jackson, Robert : |bA History of the Southern Cinema |
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| 250 | |a1st edition |
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| 260 | |aNew York : |bOxford University Press, |c2017 |
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| 300 | |a342tr. ; |ccm. |
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| 520 | |aFade In, Crossroads, Robert Jackson tells the story of the relationships between southerners and motion pictures from the silent era through the golden age of Hollywood. Jackson reveals the profound consequences of the coincidence of the rise and fall of the American film industry with the rise and fall of the South's most important modern product and export: Jim Crow segregation. He considers southern historical legacies on film, from popular Civil War films and comparably popular lynching films emerging in a time of prolific lynching in the South, to the resilient race film industry whose African American filmmakers forged an independent cinematic movement in defiance of the racial restrictions of both the South and Hollywood. He also traces the influence of film on future participants in the Civil Rights Movement, from prominent leaders such as Martin Luther King and Thurgood Marshall to film-industry veterans like Lena Horne and Paul Robeson to the millions of ordinary people, black and white, who found themselves caught up in the struggle for racial equality in the modern United States |
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| 650 | |aRace relations in motion pictures |
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| 650 | |aSouthern States—In motion pictures |
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| 852 | |aThư Viện Đại học Nguyễn Tất Thành |
|---|
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