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ISBN
| 978-3-319-62781-6 | |
DDC
| 398.45 | |
Nhan đề
| Hospitality, Rape and Consent in Vampire Popular Culture : Letting the Wrong One In / David Baker, Stephanie Green, Agńieszka Stasiewicz-Bieńkowska Editors | |
Thông tin xuất bản
| Cham, Switzerland : Palgrave Macmillan, 2017 | |
Mô tả vật lý
| 233 p. ; cm. | |
Tóm tắt
| This unique study explores the vampire as host and guest, captor and hostage: a perfect lover and force of seductive predation. From Dracula and Carmilla, to True Blood and The Originals, the figure of the vampire embodies taboos and desires about hospitality, rape and consent. The first section welcomes the reader into ominous spaces of home, examining the vampire through concepts of hospitality and power, the metaphor of threshold, and the blurred boundaries between visitation, invasion and confinement. Section two reflects upon the historical development of vampire narratives and the monster as oppressed, alienated Other. Section three discusses cultural anxieties of youth, (im)maturity, childhood agency, abuse and the age of consent. The final section addresses vampire as intimate partner, mapping boundaries between invitation, passion and coercion. With its fresh insight into vampire genre, this book will appeal to academics, students and general public alike. | |
Thuật ngữ chủ đề
| SOCIAL SCIENCE-Folklore & Mythology | |
Thuật ngữ chủ đề
| Vampires -Social aspects | |
Thuật ngữ chủ đề
| Vampires in popular culture | |
Khoa
| Khoa Du lịch và Việt Nam học | |
Tác giả(bs) CN
| Baker, David | |
Tác giả(bs) CN
| Green, Stephanie | |
Tác giả(bs) CN
| Stasiewicz-Bieńkowska, Agńieszka | |
Địa chỉ
| Thư Viện Đại học Nguyễn Tất Thành |
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| 082 | |a398.45|bH8288R|223 |
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| 245 | |aHospitality, Rape and Consent in Vampire Popular Culture : |bLetting the Wrong One In / |cDavid Baker, Stephanie Green, Agńieszka Stasiewicz-Bieńkowska Editors |
|---|
| 260 | |aCham, Switzerland : |bPalgrave Macmillan, |c2017 |
|---|
| 300 | |a233 p. ; |ccm. |
|---|
| 520 | |aThis unique study explores the vampire as host and guest, captor and hostage: a perfect lover and force of seductive predation. From Dracula and Carmilla, to True Blood and The Originals, the figure of the vampire embodies taboos and desires about hospitality, rape and consent. The first section welcomes the reader into ominous spaces of home, examining the vampire through concepts of hospitality and power, the metaphor of threshold, and the blurred boundaries between visitation, invasion and confinement. Section two reflects upon the historical development of vampire narratives and the monster as oppressed, alienated Other. Section three discusses cultural anxieties of youth, (im)maturity, childhood agency, abuse and the age of consent. The final section addresses vampire as intimate partner, mapping boundaries between invitation, passion and coercion. With its fresh insight into vampire genre, this book will appeal to academics, students and general public alike. |
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| 541 | |aMua |
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| 650 | |aSOCIAL SCIENCE|vFolklore & Mythology |
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| 650 | |aVampires |vSocial aspects |
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| 650 | |aVampires in popular culture |
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| 690 | |aKhoa Du lịch và Việt Nam học |
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| 700 | |aBaker, David |eEditors |
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| 700 | |aGreen, Stephanie |eEditors |
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| 700 | |aStasiewicz-Bieńkowska, Agńieszka |eEditors |
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| 852 | |aThư Viện Đại học Nguyễn Tất Thành |
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