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Deleuze and the cinemas of performance : powers of affection / Elena del Río
Edinburgh : Edinburgh University Press, 2008.
1 online resource (viii, 240 pages) ; cm.
Ký hiệu phân loại (DDC): 791.4301
This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del RÃƯo examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Potter, Claire Denis, and David Lynch. Key to the book's engagement with performance is a consistent attention to the body's powers of affection. Key Features The first study of the interface between Deleuzian theory and film performance. A sustained consideration of the links between the body of performance and the body of affect. An analysis of the relation of the performative body to a feminist politics. New readings of classical melodramas as well as contemporary independent cinemas.
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Film and video intermediality : the question of medium specificity in contemporary moving images / Janna Houwen
New York, NY : Bloomsbury Academic, 2017
332 pages. ; 23 cm.
Ký hiệu phân loại (DDC): 791.4301
Janna Houwen innovatively rewrites the concept of medium specificity in order to answer the questions 'what is meant by video?' and 'what is meant by film?' How are these two media (to be) understood? How can film and video be defined as distinct, specific media? In this era of mixed moving media, it is vital to ask these questions precisely and especially on the media of video and film.
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